ENSEMBLE2021
Installation view
MORGAN WALTZTrying not to slip (Château Shatto)
2021
Non-slip vinyl flooring, aluminum threshold, scuff defense paint in Sentimental Beige, wood, hardware 36 x 81 x 2 in / 91.4 x 205.7 x 5 cm each, in two parts
MORGAN WALTZTrying not to slip (Château Shatto)
2021
Detail
MORGAN WALTZTrying not to slip (Château Shatto)
2021
Detail
STEVE BISHOPGood Habits
2019
Found paper and photographs in frames
Four parts: 8 x 5 in / 20.2 x 12.5 cm each and 5 x 3.5 in / 12.5 x 8.8 cm
STEVE BISHOPGood Habits
2019
Detail
STEVE BISHOPGood Habits
2019
Detail
STEVE BISHOPGood Habits
2019
Detail
STEVE BISHOPGood Habits
2019
Detail
STEVE BISHOPAnti-Requiem
2019
Found paper and photographs in frames
Four parts: 8.9 x 5.8 in / 22.7 x 14.7 cm each and 4 x 6 in / 10.1 x 15.2 cm
STEVE BISHOPAnti-Requiem
2019
Detail
STEVE BISHOPAnti-Requiem
2019
Detail
STEVE BISHOPAnti-Requiem
2019
Detail
STEVE BISHOPAnti-Requiem
2019
Detail
ENSEMBLE2021
Installation view
ENSEMBLE2021
Installation view
EMMA MCINTYRESwamp stuff
2021
Oil, oil stick and pastel on linen 18 x 21 in / 45.7 x 53.3 cm
EMMA MCINTYRESwamp stuff
2021
Detail
EMMA MCINTYREThose wanton mauves
2021
Oil and oil stick on linen
66 x 78 in / 167.6 x 198.1 cm
EMMA MCINTYREThose wanton mauves
2021
Detail
ENSEMBLE2021
Installation view
ENSEMBLE2021
Installation view
BARBARA HAMMERSelf-Portrait, Baja California, 1974
Self-Portrait, Baja California, 1974, 2017 Silver gelatin print
4 x 6 in / 10.2 x 15.2 cm
MINGYAN HELEN GUCS-011863-MG (Three-legged Stool in Birch)
2020
Paper and cardboard with double-sided tape, adhesive and vinyl
20.9 x 15 x 15 in / 53 x 38.1 x 38.1 cm
BARBARA HAMMERDouble Strength
1978
16mm film transferred to video, color, sound
14 min 38 sec
BARBARA HAMMERTerry Sendgraff, Skylight Studio, Berkeley, 1977
2017
Silver gelatin print
8 x 12 in / 20.3 x 30.5 cm
ENSEMBLE2021
Installation view
CHRISTIAN SANTIAGONemesis Doll
2021
Pencil on smooth Bristol 19 x 24 in / 48.3 x 61 cm
CHRISTIAN SANTIAGONemesis Doll
2021
Detail
CHRISTIAN SANTIAGORobby Rims
2020
Pencil on smooth Bristol 19 x 24 in / 48.3 x 61 cm
CHRISTIAN SANTIAGORobby Rims
2021
Detail
ENSEMBLE2021
Installation view
ENSEMBLE2021
Installation view
MINGYAN HELEN GUCS-011863-MG (Three-legged Stool in Birch)
2020
Paper and cardboard with double-sided tape, adhesive and vinyl
17.5 x 15 x 15 in / 44.5 x 38.1 x 38.1 cm each
RAHA RAISSNIAIchor
2018
Oil on wood
24 x 32 in / 61 x 81.3 cm
RAHA RAISSNIAUntitled
2018
Oil, pigment, gel medium, graphite on wood 24 x 36 / 61 x 91.4 cm
ENSEMBLE2021
Installation view
JESSE SULLIVANPark Plan
2021
Mixed media
43.5 x 41.75 x 19.75 in / 101.5 x 106 x 50.2 cm
JESSE SULLIVANPark Plan
2021
Detail
JESSE SULLIVANPark Plan
2021
Detail
JESSE SULLIVANPark Plan
2021
Detail
JESSE SULLIVANPark Plan
2021
Detail
MINGYAN HELEN GUCS-011863-MG (Three-legged Stool in Birch)
2020
Paper and cardboard with double-sided tape, adhesive and vinyl
17.5 x 15 x 15 in / 44.5 x 38.1 x 38.1 cm each
JESSE SULLIVANDetective Pikachu 1
2019
Oil on canvas
30 x 40 in / 76.2 x 101.6 cm
JESSE SULLIVANDetective Pikachu 1
2019
Detail
ENSEMBLE2021
Installation view
ENSEMBLE2021
Installation view
STEVE BISHOPFar And Near At Once
2019
Found paper and photographs in frames
Five parts: 9 x 5.75 in / 22.7 x 14.7 cm each and 4.3 x 3.5 in / 11 x 8.8 cm
STEVE BISHOPFar And Near At Once
2019
Detail
STEVE BISHOPFar And Near At Once
2019
Detail
STEVE BISHOPFar And Near At Once
2019
Detail
STEVE BISHOPFar And Near At Once
2019
Detail
STEVE BISHOPFar And Near At Once
2019
Detail
ENSEMBLE2021
Installation view
MORGAN WALTZWithholding
2021
Inkjet print, artist frame
5 x 7 x 1.5 in / 12.7 x 17.8 x 3.8 cm
Installation view
MORGAN WALTZWithholding
2021
Detail
ENSEMBLE
May 1-June 26, 2021
An all day opening reception will be held Saturday May 1, from 12-6pm
STEVE BISHOP • MINGYAN HELEN GU • BARBARA HAMMER • EMMA MCINTYRE • RAHA RAISSNIA • CHRISTIAN SANTIAGO • JESSE SULLIVAN • MORGAN WALTZ
This Saturday, May 1, Château Shatto opens Ensemble, an exhibition that is formed around the bonds and curiosities shared between galleries, without thematizing these relations. Conversation and cooperation among galleries often functions as a kind of collagen, an invisible and binding substance that ultimately confers a more resilient form.
In a milieu that continues to be shaped by slipperiness and temperamental restrictions, a space in Château Shatto’s exhibition program quickly arose at the beginning of May. Rather than compensating with a hastily-conceived exhibition, we will use the afforded time and space to enact a gesture of exchange with treasured colleagues, having extended invitations to a handful of galleries and artist run-spaces to suggest artists and artworks to compose an exhibition. It’s a simple re-wiring of the development of an exhibition: a procuring idea isn’t first conceived and then materially expressed through an arrangement of works; rather, the exhibition materializes then we can observe any chemistries and dissonances that might arise. Artworks find themselves alongside each other, not by a relational conceit, but by organizing structures beyond themselves.
With the contributions and cooperation from Carlos/Ishikawa, Company Gallery, Coastal Signs, Miguel Abreu Gallery, DM Office, Apartment 13 and New Low.