Helen Johnson
Back to top
Helen Johnson
Back to top
For over two decades, Helen Johnson’s practice has been applied through painting, wielding it as a technical and critical tool that works through language and beyond it, giving form to internal arousals and external social phenomena.
Read more

Opening
2023
Installation View
Pilar Corrias, London

Das Ding Dong
2023
Synthetic polymer paint on canvas
87.4 x 65.8 in / 222 x 167 cm

Das Ding Dong
2023
Detail

Opening
2023
Installation View
Pilar Corrias, London

Fell from the gaze of the other
2023
Synthetic polymer paint on canvas
34.3 x 24.3 in / 87 x 61.5 cm

Fell from the gaze of the other
2023
Detail

Judy Watson & Helen Johnson: the red thread of history, loose ends
2022
Installation view
Monash University Museum of Art, Melbourne

Painting-making
2022
Synthetic polymer paint on canvas
114.2 x 83.8 in / 290 x 213 cm
Recto

Judy Watson & Helen Johnson: the red thread of history, loose ends
2022
Installation view
National Gallery of Australia, Canberra

The birth of an institution
2022
Synthetic polymer paint and pencil on canvas
119 x 164 in / 304 x 417.5 cm

The birth of an institution
2022
Verso

Judy Watson & Helen Johnson: the red thread of history, loose ends
2022
Installation view
National Gallery of Australia, Canberra

Globule
2022
Acrylic on canvas, cotton stitching
88.6 x 67.9 in / 225 x 172.5 cm

Globule
2022
Detail

Let’s head back
2022
Acrylic and painted silk on canvas, cotton stitching
88.6 x 67.2 in / 225.2 x 170.8 cm

Let’s head back
2022
Detail

Pieces of Work
2021
Installation view

University (Institutional being)
2021
Synthetic polymer paint, graphite pencil and water-soluble intaglio ink on canvas
89 x 67 in / 226 x 170.2 cm

University (Institutional being)
2021
Detail

HR (Neighbour)
2021
Synthetic polymer paint, graphite pencil and water-soluble intaglio ink on canvas
90.5 x 68 in / 229.9 x 172.7 cm

HR (Neighbour)
2021
Detail

Pieces of Work
2021
Installation view

Basic Needs
2020
Synthetic polymer on canvas
96 x 72 in / 244 x 183 cm
Recto

Basic Needs
2020
Recto detail

Basic Needs
2020
Verso

Basic Needs
2020
Verso detail

Basic Needs
2020
Verso detail

Sun/Humans
2020
Acrylic on canvas
24 x 18 in / 61 x 45.7 cm

Healing crystals set
2020
Acrylic and pencil on canvas
24 x 18 in / 61 x 45.7 cm

Trees/Humans
2020
Acrylic on canvas
24 x 18 in / 61 x 45.7 cm

Agency
2019
Pilar Corrias, London
Installation view

Agency
2019
Pilar Corrias, London
Installation view

Agency
2019
Pilar Corrias, London
Installation view

Helen Johnson: Ends
2018
New Museum, New York
Installation view

Helen Johnson: Ends
2017
New Museum, New York
Installation view

Helen Johnson: Ends
2017
New Museum, New York
Installation view

Helen Johnson: Ends
2017
New Museum, New York
Installation view

Helen Johnson & Megan Cope
2017
Chapter Arts, Cardiff
Installation view

Helen Johnson & Megan Cope
2017
Chapter Arts, Cardiff
Installation view

Warm Ties
2017
Institute of Contemporary Arts, London
Installation view

Warm Ties
2017
Institute of Contemporary Arts, London
Installation view

Warm Ties
2017
Institute of Contemporary Arts, London
Installation view

Warm Ties
2017
Institute of Contemporary Arts, London
Installation view

Warm Ties
2017
Institute of Contemporary Arts, London
Installation view

Warm Ties
2017
Institute of Contemporary Arts, London
Installation view

Warm Ties
2017
Institute of Contemporary Arts, London
Installation view

Warm Ties
2017
Institute of Contemporary Arts, London
Installation view

Seat of power (recto)
2016
Acrylic on canvas, wood, velcro
149.6 x 126 in / 380 x 320 cm
Warm Ties, Institute of Contemporary Arts, London 2017

Seat of power
2016
Detail

Seat of power (verso)
2016
Acrylic on canvas, wood, velcro
149.6 x 126 in / 380 x 320 cm
Warm Ties, Institute of Contemporary Arts, London 2017

A feast of reason and a flow of soul (recto)
2016
Acrylic on canvas, wood, velcro
149.6 x 126 in / 380 x 320 cm
Warm Ties, Institute of Contemporary Arts, London 2017

A feast of reason and a flow of soul
2016
Detail

A feast of reason and a flow of soul (verso)
2016
Acrylic on canvas, wood, velcro
149.6 x 126 in / 380 x 320 cm
Warm Ties, Institute of Contemporary Arts, London 2017

A feast of reason and a flow of soul (verso)
2016
Detail

The sack (recto)
2016
Acrylic on canvas, wood, velcro
149.6 x 86.6 in / 380 x 220 cm
Warm Ties, Institute of Contemporary Arts, London 2017

The sack
2016
Detail

The sack (verso)
2016
Acrylic on canvas, wood, velcro
149.6 x 86.6 in / 380 x 220 cm
Warm Ties, Institute of Contemporary Arts, London 2017

Impotent observer (recto)
2016
Acrylic on canvas, wood, velcro
149.6 x 94.5 inches / 380 x 240 cm
Warm Ties, Institute of Contemporary Arts, London 2017

Impotent observer
2016
Detail

Impotent observer (verso)
2016
Acrylic on canvas, wood, velcro
149.6 x 94.5 inches / 380 x 240 cm
Warm Ties, Institute of Contemporary Arts, London 2017

Worst comes to the worst (recto)
2016
Acrylic on canvas, wood, velcro
149.6 x 86.6 in / 380 x 220 cm
Warm Ties, Institute of Contemporary Arts, London 2017

Worst comes to the worst
2016
Detail

Worst comes to the worst (verso)
2016
Acrylic on canvas, wood, velcro
149.6 x 86.6 in / 380 x 220 cm
Warm Ties, Institute of Contemporary Arts, London 2017

Worst comes to the worst (verso)
2016
Detail

Bad debt (recto)
2016
Acrylic on canvas, wood, velcro
149.6 x 126 in / 380 x 320 cm
Warm Ties, Institute of Contemporary Arts, London 2017

Bad debt
2016
Detail

Bad debt (verso)
2016
Acrylic on canvas, wood, velcro
149.6 x 126 in / 380 x 320 cm
Warm Ties, Institute of Contemporary Arts, London 2017

Empire Play (recto)
Acrylic on canvas
110.25 x 84.25 in / 280.05 x 214 cm
Mary Mary, Glasgow for Art Basel Statements 2016

Empire Play (verso)
Acrylic on canvas
110.25 x 84.25 in / 280.05 x 214 cm
Mary Mary, Glasgow for Art Basel Statements 2016

McCubbin redux (recto)
Acrylic on canvas
114.15 x 94.5 in / 289.9 x 240.05 cm
Mary Mary, Glasgow for Art Basel Statements 2016

McCubbin redux (verso)
Acrylic on canvas
114.15 x 94.5 in / 289.9 x 240.05 cm
Mary Mary, Glasgow for Art Basel Statements 2016

Or Else (recto)
Acrylic on canvas
110.25 x 84.25 in / 280.05 x 214 cm
Mary Mary, Glasgow for Art Basel Statements 2016

Or else (verso)
Acrylic on canvas
110.25 x 84.25 in / 280.05 x 214 cm
Mary Mary, Glasgow for Art Basel Statements 2016

Stock (recto)
Acrylic on canvas
114.15 x 94.5 in / 289.9 x 240.05 cm
Mary Mary, Glasgow for Art Basel Statements 2016

Stock (verso)
Acrylic on canvas
114.15 x 94.5 in / 289.9 x 240.05 cm
Mary Mary, Glasgow for Art Basel Statements 2016

2016
Barron Field, Glasgow International
Installation View

2016
Barron Field, Glasgow International
Installation View

2016
Barron Field, Glasgow International
Installation View

2016
Barron Field, Glasgow International
Installation View

2016
Barron Field, Glasgow International
Installation View

My Word (recto)
Acrylic on canvas
90.55 x 70.85 in / 230 x 180 cm
Glasgow International 2016

My Word (verso)
Acrylic on canvas
90.55 x 70.85 in / 230 x 180 cm
Glasgow International 2016

The Rape of Europa (Australian version)
Acrylic on canvas
122 x 94.5 in / 309.85 x 240.05 cm
Glasgow International 2016

The Rape of Europa (Australian version) – (verso)
Acrylic on canvas
90.55 x 70.85 in / 230 x 180 cm
Glasgow International 2016

Colonial Reef (recto)
Acrylic on canvas
90.55 x 70.85 in / 230 x 180 cm
Recto

Colonial Reef (verso)
Acrylic on canvas
90.55 x 70.85 in / 230 x 180 cm
Verso

Cayetano Ferrer + Helen JohnsonOFFICIELLE 2015
Château Shatto booth at Les Docks: Cité de la Mode et du Design
Paris, France

OFFICIELLE 2015
Installation view

Becoming limp before another’s interpretive projections
2015
Synthetic polymer paint on canvas
18 x 24 in / 45.75 x 61 cm

Personality type painting
2015
Synthetic polymer paint and collage on linen
18 x 24 in / 45.75 x 61 cm

OFFICIELLE 2015
Installation view

Loose knots II (Equal obscurity)
2015
Synthetic polymer paint on canvas
18 x 24 in / 45.75 x 61 cm

Club Horoscope
2015
Synthetic polymer paint on canvas
18 x 24 in / 45.75 x 61 cm

OFFICIELLE 2015
Installation view

Our increasingly uncomfortable relationship to money
2015
Synthetic polymer paint on canvas
18 x 24 in / 45.75 x 61 cm

Loose knots I (Victorian renovation)
2015
Synthetic polymer paint on canvas
18 x 24 in / 45.75 x 61 cm

June: A Painting Show
2015
Installation view
Sadie Coles HQ, London

June: A Painting Show
2015
Installation view
Sadie Coles HQ, London

The Saboteurs
2015
Synthetic polymer paint on canvas
98 x 71 in / 248.95 x 180.35 cm

Post Colonial Feminist Drama
2013
Synthetic polymer paint on canvas
98 x 71 in / 248.95 x 180.35 cm

Slow Learners
2015
Installation view

Slow Learners
2015
Installation view

Slow Learners
2015
Installation view

Slow Learners
2015
Installation view

Slow Learners
2015
Installation view

Slow Learners
2015
Installation view

Slow Learners
2015
Installation view

Spy
2014
Synthetic polymer paint on canvas
34 x 24 in / 86.35 x 60.95 cm

True Gifts and Free Facts
2014
Synthetic polymer paint on linen
56 x 48 x 1.5 in / 142.25 x 121.95 x 3.8 cm

Ex-Execs
2014
Synthetic polymer paint on linen
71 x 98 in / 180.35 x 248.95 cm

Ex-Execs
Minerva, Sydney
2014
Installation view

Urban Myth
2013
Synthetic polymer paint on linen
18 x 24 in / 45.75 x 61 cm

Robber in a Hot Tub
2013
Synthetic polymer paint on linen
18 x 24 in / 45.75 x 61 cm

Island (Time Flies II)
2013
Synthetic polymer paint on canvas
66 x 44 in / 167.65 x 111.75 cm

History Problem
2013
Acrylic on canvas
98.5 x 70.75 in / 250.2 x 179.7 cm

Corporate Hopper
2013
Acrylic on linen
67.35 x 44.5 in / 171 x 113 cm

Meantime
2013
Installation view
Sutton Gallery

The Angry Reader
2013
Synthetic polymer paint on canvas
Detail

New Business Plan
2014
Synthetic polymer paint on canvas
Detail