A Screen Test for an Adaptation of Giselle

2019
FIAC at m2k Grand Palais Cinema, Paris
Installation view
Photograph by Yuri Pattson

A Screen Test for an Adaptation of Giselle

2019
HD Video, sound
8 min 50 sec
Supported by La Maison Balmain Paris, Galerie Emanuel Layr and Forma

A Screen Test for an Adaptation of Giselle

2019
Video still

A Screen Test for an Adaptation of Giselle

2019
Video still

A Screen Test for an Adaptation of Giselle

2019
Video still

Amos’ World

2018
Tramway, Glasgow
Installation view
Photograph by Keith Hunter
Amos’ World is a co-production between Galerie Emanuel Layr, mumok, Tramway, and Museum Abteiberg

I had a dream I was sleeping (Gloria’s window)

2018
Life sized model, printed canvas, Duratrans print, LCD screen, acrylic
(wall mounted or suspended)
88.3 x 78.7 x 6.4 in / 224.5 x 200 x 16.5 cm
Photograph by Keith Hunter

Erratics (Glasgow)

2018
Concrete, epoxy resin, tattoo ink, wax polymer
19 x 15.7 x 23.6 in (each) / 50 x 40 x 60 cm (each)
Photograph by Keith Hunter

Amos’ World

2019
FRAC Lorraine, Metz
Installation view
Photograph by Fred Dott

Amos’ World

2019
FRAC Lorraine, Metz
Installation view
Photograph by Fred Dott

Amos’ World

2019
FRAC Lorraine, Metz
Installation view
Photograph by Fred Dott

Amos’ World, Episode One

2017
HD video, sound and color
24 min 58 sec
Produced with Emanuel Layr Galerie, Vienna

Amos’ World, Episode One

2017
Video still

Amos’ World, Episode One

2017
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Amos’ World, Episode One

2017
Video still

Amos’ World, Episode One

2017
Video still

Amos’ World: Episode Two

2018
HD Video
24 min 33 sec
Producer Cécile B. Evans
Co-Producers Emanuel Layr Galerie, Vienna
mumok, Vienna
Museum Abteiberg, Mönchengladbach
Tramway, Glasgow
Additional Support De Young Museum, San Francisco
FRAC Lorraine, Metz
Villa Merkel, Esslingen
Special thanks Chateau Shatto, Los Angeles
Glasgow International, Glasgow
Renaissance Society, Chicago

Amos’ World, Episode Two

2018
Video still

Amos’ World, Episode Two

2018
Video still

Amos’ World, Episode Two

2018
Video still

Amos’ World, Episode Two

2018
Video still

Amos’ World, Episode Two

2018
Video still

Amos’ World, Episode Two

2019
Concrete, wood, steel, cushions, headphone
Museum Abteiberg, Mönchengladbach
Video installation
Photograph by Achim Kukulies

Amos’ World: Episode Three

2018
HD Video
24 min 20 sec
Producer Cécile B. Evans
Co-Producers Emanuel Layr Galerie, Vienna
mumok, Vienna
Museum Abteiberg, Mönchengladbach
Tramway, Glasgow
Supported by Art Night, London
Additional Support De Young Museum, San Francisco
FRAC Lorraine, Metz
Madre Museum, Naples
Nicoletta Fiorucci; Founder, Fiorucci Art Trust
Villa Merkel, Esslingen
Special thanks Chateau Shatto, Los Angeles
Glasgow International, Glasgow
Renaissance Society, Chicago

Amos’ World, Episode Three

2018
Video still

Amos’ World, Episode Three

2018
Video still

Amos’ World, Episode Three

2018
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Amos’ World, Episode Three

2018
Video still

Amos’ World, Episode Three

2019
Stage set made of wood and blue paint
Museum Abteiberg, Mönchengladbach
Video installation
Photograph by Achim Kukulies

Amos’ World is Live

2018
Amos’ World: Episode Three taped in front of a live studio audience
Spectrecom Studios, London's Art Night
Supported by Galerie Emanuel Layr, Rome/Vienna
Backdrops produced with support from Genesis Imaging
Bespoke seating provided by Mahogany Opera
Further thanks to Aurora Multimedia and Sam Higham at Movietech

Something tactical is coming.

2018
Château Shatto, Los Angeles
Installation view
Photograph by Elon Schoenholz

Something tactical is coming.

2018
Scale model production model with chroma key paint, Makibes screens, Raspberry Pi players, Real Game FX miniature fog machine, 3D prints, paper, wood, puppet hand,
3D printed mask dummy
Approximately 210 x 105 x 100 cm / 82.7 x 41.3 x 39.4 in
Photograph by Elon Schoenholz

Something tactical is coming.

2018
Château Shatto, Los Angeles
Installation view
Photograph by Elon Schoenholz

Forgiveness isn’t always the best thing to ask for (Character Study)

2019
Anodized metal server case, uv print on acrylic, inkjet print, electrical tape, packing gauze
18.9 x 17.32 x 3.54 in / 48 x 44 x 9 cm
Photograph by Elon Schoenholz

Something tactical is coming.

2018
Château Shatto, Los Angeles
Installation view
Photograph by Elon Schoenholz

We even age honestly (Character Study)

2019
Anodized metal server case, uv print on acrylic, inkjet print, electrical tape, packing gauze
18.9 x 17.32 x 3.54 in / 48 x 44 x 9 cm
Photograph by Elon Schoenholz

Unthought Environments

2018
Renaissance Society, Chicago
Installation view
Photograph by Useful Art Services

A man in progress

2017
3D printed resin, hand painted
47.2 39.3 x 4 in / 120 x 100 x 10 cm
Photograph by Klaus Pichler

999 Years, 13sqm (The Future Belongs to Ghosts)

2019
Cécile B. Evans and Rachel Armstrong
Whitechapel Gallery, London
Installation view
Courtesy of Whitechapel Gallery

999 Years, 13sqm (The Future Belongs to Ghosts)

2019
Steel, ceramic tiles, Lumex thermoplastic polyester,
acrylic, FogScreen, HD video, LCD monitor, Raspberry Pis,
E-INK screen, MFC bricks, silicone tubes, cables, microbes, water,
low energy dehumidifiers, radio, miscellaneous objects and images
170 x 118 x 118 in / 433 x 300 x 300 cm
Courtesy of Whitechapel Gallery

999 Years, 13sqm (The Future Belongs to Ghosts)

2019
Detail
Courtesy of Whitechapel Gallery

Hello World―For the Post-Human Age

2018
Contemporary Art Gallery, Art Tower Mito, Tokyo
Installation view
Photograph by Shintaro Yamanaka

Sprung a Leak

2016
Multi-channel video, raspberry pis, cables, humanoid robots, robot dog, custom fountain, privacy shades, lamps, dog pen, bookshelf, assorted books, miscellaneous items, solar vitamin bottles
18 min
Dimensions variable
Photograph by Shintaro Yamanaka

Sprung a Leak

2016
Tate Liverpool
Installation view
Photograph courtesy of the artist and Galerie Emanuel Layr, Vienna

Test Cards: Sprung A Leak

2017
Galerie Emanuel Layr, Vienna
Installation view
Photograph courtesy of the artist and Galerie Emanuel Layr, Vienna

Test card I

2016
Custom acrylic stands, custom anodized server case, uv media print on acrylic, foam gauze, LED light wire, cables
56 x 26 x 8 in / 143 x 66 x 20 cm
Photograph courtesy of the artist and Galerie Emanuel Layr, Vienna

What the Heart Wants

2016
HD Video
41 min 5 sec
Co-produced by the Frans Hals Museum
Courtesy of the artist and Galerie Emanuel Layr, Vienna

What the Heart Wants

2016
Video still

What the Heart Wants

2016
Video still

What the Heart Wants

2017
K11, Shanghai
Installation view

What the Heart Wants

2016
9th Berlin Biennale
Installation view
Photograph by Timo Ohler

Handy if you’re learning to fly I, II

2016
Custom-built holocube, assorted miniatures, HD video, cellophane, plexiglass stands, corn syrup, lacquer, C-type print, book
Dimensions variable
Photograph by Timo Ohler
Courtesy the artist and Barbara Seiler, Zurich

A Pictorial Guide I, II, III

2016
Custom 2U server case chassis, transparent LCD screen, video, cloud study, media player, LED lights
Dimensions variable
Photograph by Timo Ohler
Courtesy the artist and Barbara Seiler, Zurich; Private Collection

Working on What the Heart Wants

2015
3 screen installation, HD video, Raspberry Pis
Video still

Working on What the Heart Wants

2017
Frans Hals Museum, Haarlem
Installation view
Photograph by Gert Jan van Rooij

Hyperlinks or It Didn’t Happen

2014
HD Video
22 min 30 sec

Hyperlinks or It Didn’t Happen

2014
Video still

Hyperlinks or It Didn’t Happen

2014
Video still

Frieze New York

2015
Barbara Seiler, Randall's Island Park
Installation view

Plagiarist of my Unconscious Mind!

2015
Château Shatto, Los Angeles
Installation view
Photograph by Elon Schoenholz

Server (End of Flight)

2015
Intel 1U short depth server chassis, c-type print, plexiglass, corn syrup, enamel
19 x 15.75 x 2.75 in / 48 x 40 x 7 cm
Photograph by Elon Schoenholz

Self-plagiarized Study for Lover One

2015
HD video
2 min 18 sec
Installation view
Photograph by Elon Schoenholz

Self-plagiarized Study for Lover One

2015
Video still

Server

2015
Intel 1U short depth server chassis, c-type print, plexiglass, corn syrup, enamel, 3D printed plaster, figure
19 x 18.5 x 2.75 in / 48.2 x 47 x 7 cm
Photograph by Elon Schoenholz

AGNES (the end is near)

2014
Digital video
22 min 19 sec

AGNES (the end is near)

2014
Video still

La Voix Humaine

2014
Kunstverein München, Münich
Installation view
Courtesy of Kunstverein München e.V.
Photograph by Ulrich Gebert

How happy a Thing can be

2014
HD Video
9 min 30 sec

How happy a Thing can be

2014
Video still

Phantom Limbs

2014
Pilar Corrias, London
Installation view
Courtesy of Pilar Corrias, London

Lost, Teeth

2014
3D printed plaster, hardener, wax
3 pieces: 10.6 x 5.7 x 5.8 in; 7.8 x 4.2 x 4.3 in; 4 x 2.1 x 2.1 in / 27 x 14.49 x 14.88 cm; 20 x 10.74 x 11 cm; 10 x 5.37 x 5.50 cm
Courtesy of Pilar Corrias, London

The Brightness

2013
3D Stereoscopic video
4 min 30 sec