Within this theory book, Helen Johnson considers the operations of painting today, proposing means by which painting, as an aesthetic practice, might continue to make a critical address. She describes the book thus: “Being a painter in a post-medium specific context does not mean approaching painting as some sort of anachronistic refuge, or thinking that […]

Left: The Saboteurs, 2015; centre: Postcolonial Feminist Drama, 2013 On view through August 15 Link to exhibition

Installation view Exhibition on view through June at Eli Ping Frances Perkins, New York Link to exhibition